Baleganjur

Our Baleganjur set is around 40-50 years old and is made up of the following instrumentation:

1 gong ageng, 1 x reong, 3 pairs of ceng-ceng kopyak, 1 tawa-tawa, 1 bende, 2 kendang cedugan

We still need to add an additional gong, a kempur, a kempli and five more pairs of ceng-ceng kopyak to complete the set.

Donate to help us complete our set!

Other Collections

Semara Kirang

In 2019, we restored and reconstructed a very unusal Angklung set from Lombok we have called ‘Semara Kirang’ because of its tuning, where it has four sweet tones with the lowest one missing.

Purchased in 2012, our first Selonding set is modelled on the Bugbug formation but with additional instruments found in the set from Merajan Selonding in the Besakih Temple complex that dates back to around the 10th century.

Seven-tone Semara Pagulingan Set 2

The Seven-tone Semara Pagulingan set in New Zealand also partly old but has a higher tuning than our one in Bali. The ensemble is both smaller in instrumentation as well as dimensions of the keys, pots and casings.

Six-tone Semara Pagulingan

Our Six-tone Semara Pagulingan is not yet complete, as we still need to fundraise more to make the ornate wooden casings, the design of which we would like to base on the only other Six-tone Semara Pagulingan orchestra in the world.

Seven-tone Semara Pagulingan Set 1

In mediaeval Bali (circa 1600-1906) Semara Pagulingan (also known as Semar Pegulingan) was an important part of the Balinese courts.

Seven-tone Semara Pagulingan

In mediaeval Bali (circa 1600-1906) Semara Pagulingan (also known as Semar Pegulingan) was an important part of the Balinese courts

Semara Kirang

In 2019, we restored and reconstructed a very unusal Angklung set from Lombok we have called ‘Semara Kirang’ because of its tuning, where it has four sweet tones with the lowest one missing.