Six-tone Semara Pagulingan - Mekar Bhuana Centre

Six-tone Semara Pagulingan

Mekar Bhuana Centre

Six-tone Semara Pagulingan

Our Six-tone Semara Pagulingan is not yet complete, as we still need to fundraise more to make the ornate wooden casings, the design of which we would like to base on the only other Six-tone Semara Pagulingan orchestra in the world, which is housed in Amsterdam and sadly no longer played. All the gangsa in our set are gangsa jongkok and we have also included a pair of rare curing barangan to make the sound even sweeter when one day it is played as a whole. You can be part of our passionate reconstruction project by donating here to help get the casings made.

Other Collections

Semara Kirang

In 2019, we restored and reconstructed a very unusal Angklung set from Lombok we have called ‘Semara Kirang’ because of its tuning, where it has four sweet tones with the lowest one missing.

Selonding Set 1

Purchased in 2012, our first Selonding set is modelled on the Bugbug formation but with additional instruments found in the set from Merajan Selonding in the Besakih Temple complex that dates back to around the 10th century.

Seven-tone Semara Pagulingan Set 2

The Seven-tone Semara Pagulingan set in New Zealand also partly old but has a higher tuning than our one in Bali. The ensemble is both smaller in instrumentation as well as dimensions of the keys, pots and casings.

Seven-tone Semara Pagulingan Set 1

In mediaeval Bali (circa 1600-1906) Semara Pagulingan (also known as Semar Pegulingan) was an important part of the Balinese courts.

Five-tone Semara Pagulingan

Our five-tone Semara Pagulingan set is our antique Semara Patangian set with a terompong, ponggang-kempyung, kangsi and grantang added, and the gender rambat removed.

Caruk

Our smallest ensemble with just two musicians, Caruk is one of Bali's rarest gamelan art-forms and is only found in a handful of villages, including Selat, Karangasem.

Semara Kirang

In 2019, we restored and reconstructed a very unusal Angklung set from Lombok we have called ‘Semara Kirang’ because of its tuning, where it has four sweet tones with the lowest one missing.

Selonding Set 1

Purchased in 2012, our first Selonding set is modelled on the Bugbug formation but with additional instruments found in the set from Merajan Selonding in the Besakih Temple complex that dates back to around the 10th century.

Seven-tone Semara Pagulingan Set 2

The Seven-tone Semara Pagulingan set in New Zealand also partly old but has a higher tuning than our one in Bali. The ensemble is both smaller in instrumentation as well as dimensions of the keys, pots and casings.

Six-tone Semara Pagulingan

Our Six-tone Semara Pagulingan is not yet complete, as we still need to fundraise more to make the ornate wooden casings, the design of which we would like to base on the only other Six-tone Semara Pagulingan orchestra in the world.

Seven-tone Semara Pagulingan Set 1

In mediaeval Bali (circa 1600-1906) Semara Pagulingan (also known as Semar Pegulingan) was an important part of the Balinese courts.

Five-tone Semara Pagulingan

Our five-tone Semara Pagulingan set is our antique Semara Patangian set with a terompong, ponggang-kempyung, kangsi and grantang added, and the gender rambat removed.